Pluraleyes 4 Sync Bad Movie Sync Fixer
The purpose of…QT Sync is a QuickTime movie player, movie sync fixer, timecode inserter, movie ratio changer and much more… and it’s free. What can you do with QT Sync? …Tentacle Sync Studio is more than just syncing software – it’s the timecode Swiss army knife and the key to syncing simplicity.Synchronize footage by simply selecting clips in Avid -> right click -> Synchronize in Entangle. Besides being an incredibly simple way to fix minor sync issues in ADR tracks, the technique used in this tutorial can also be used to sync dual-system audio, thus providing a practical and cost-effective alternative to programs like PluralEyes if you're using Adobe's Creative Cloud video applications. Link: PeachpitTV2 - YouTubeRecord video and capture synced video & audio from multiple cameras. PluralEyes 4 is an audio and video synchronization software released by Red Giant.The main thing about PluralEyes is the automatic synchronization of various audio and video files.UPDATE Red Giant Trapcode Particular v 4.1.5 for WIN/MAC. Within seconds, PluralEyes does the job of analyzing the audio from your cameras and audio devices and syncs them up.
The most minimal and affordable gear possible, since this was an experiment For the full story behind the film, read here. This guide details the exact gear I used to make my personal documentary film Wayne Lacson Forte: On My Way To Me. Thanks for this About to start a documentary, with monthly 3-4 day shoots over the course of a year.Official website Facebook Best list of PluralEyes Alternatives in 2021DreamSync is a standalone software solution for Mac OS X and Windows that simplifies the tedious process of manually syncing audio and video.
I wanted all the space I could get, since I would be filming at 4K resolution (4 times standard HD quality).A minute of footage at 4K and 30 frames-per-second takes up 170 MB of space. I wanted the smaller size so that I could always carry it in my pocket, and sprung for the largest capacity version which was 512 GB. To my amazement, I found I didn’t need lights or exposure calibration for the great majority of situations, because there was so much intelligence built right into the phone’s default camera app.I opted for the most recent Apple iPhone at the time, which was the iPhone Xs. The latest generation models from Samsung, Apple, and others now come with HD (or higher) resolution cameras, advanced algorithms for calibrating exposure and color, plenty of storage space, and increasingly, professional-grade and wide-angle lenses built right into the phone. It’s also the device you’re most likely to already have.The good news is that almost any recent model smartphone will do just fine.
The Movi allows you to mount a smartphone and then stabilizes the phone as you move, so your shots look smooth instead of jerky. Within a couple minutes of playing with it, I saw the potential. Optional accessory: Freefly Movi Cinema Robot Smartphone Stabilizer ($300)I had previously experimented with a stabilizer, often known as a “gimbal,” during a video shoot I was working on last year. I’ve heard you can get similar quality for much less money.Verdict: the smartphone is the central element of your kit, and it’s worth investing in the largest size and highest storage capacity you can afford, especially since you need a smartphone anyway. If you’re in the market for a new smartphone, I’d also consider less expensive alternatives such as Android phones. You could get away with less if you regularly offload clips onto your computer, but I didn’t want to worry about running out of space.In retrospect, I would have chosen the larger size iPhone Xs Max, because it’s hard to see what you’re recording clearly on a smaller screen.
The other end is a lapel mic that can be threaded up through the subject’s shirt and clipped to their lapel.The only downside is that there is a wire, but if you’re within 16 feet of the subject and not moving around, that’s not an issue. It honestly couldn’t be easier: you plug one end into the adapter below, which then goes straight into the lightning jack. It’s a lot to remember and set up, and highly prone to error.I started my project using the wireless Zoom H1n described below, but midway through I discovered a much simpler solution: a wired microphone that directly connects to the smartphone. You have to make sure they have charged batteries, that the settings are correct, that the input levels are right, that the person has the lavalier mic threaded up through their shirt, that it’s positioned close to their mouth, etc. That’s why having an external mic is crucial.As cool as wireless mics are, they are also a bit cumbersome. There is no algorithm or plugin that can correct bad audio afterward if the original recording wasn’t good.
I bought it on the recommendation of a videographer friend, who suggested I use it with the Rode SmartLav+ lavalier microphone below so that I could record audio wirelessly. It’s small, lightweight, versatile, and not too expensive. ADVANCED OPTION: ZOOM H1N PORTABLE RECORDER ($120)The Zoom H1n is an industry standard that I’ve seen recommended by many videomakers. OPTIONAL ACCESSORY: BELKIN F8J212BTWHT 3.5MM AUDIO + CHARGE ($39)I haven’t used it myself, but I’ve seen many others suggest this alternative adapter from Belkin that allows you to charge the phone while recording, which is very useful since there is only one lightning port available. It is the standard Apple adapter for connecting standard (3.5mm) audio cables to the lightning port on Apple mobile devices. It worked beautifully, was impossible to mess up, and if I had to do it again I’d be tempted to try and use this mic alone.Verdict: if you want to economize or just keep things simple, and don’t absolutely need wireless recording, I’d go with this product for your audio needs.The video below shows how this microphone works:REQUIRED ACCESSORY: APPLE LIGHTNING TO 3.5 MM HEADPHONE JACK ADAPTER ($8)You’ll need this adapter to connect the wired mic above to your smartphone.
Unfortunately your ability to fix peaking after the fact is limited.Verdict: an external mic of some kind is essential. I suggest adjusting the audio levels manually, and looking out for the red warning light on the front of the device which indicates peaking. My dad has a pretty loud voice, so in many clips the first few seconds were too loud as the audio “peaked” and got distorted. The device can detect the volume of the person speaking and automatically adjust the input levels, but it takes several seconds. There are lots of other technical details and settings available for this device, but the important thing to know is that it records at more than enough quality for any video project you might want to take on.The one mistake I made with the H1n was relying on the “auto-levels” feature.
One of the biggest mistakes I made was forgetting to use this adapter for a two-hour, very meaningful interview with my dad. I don’t really understand the details of why, but I can assure you it’s not optional. The Zoom H1n is an effective choice, and I’d definitely use it again.Here’s a good review of the Zoom H1n if you’d like to know more:REQUIRED ACCESSORY: MOVO MC4 TRRS TO TRS ADAPTER ($13)This adapter is needed to connect the SmartLav+ to the H1n, both described above.
I filmed several interviews by putting this mini tripod on a table.Verdict: as a cheaper and smaller alternative to the Vanguard tripod, or as a backup, this mini tripod is very useful to have. It’s tiny and weighs almost nothing, with adjustable legs and a mount that fits most phones. In such situations, the UBeesize came in handy. The Tripod BASIC OPTION: UBEESIZE MINI TRIPOD S ($20)On some occasions I didn’t want to bring the Vanguard tripod, or just didn’t happen to have it with me when a good opportunity came up.
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